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Time Machine 2008
Installation shot from Time Machine at the SFU Studios, 611 Alexander in Vancouver, British Columbia.
Projections, reclaimed materials, light boxes, animation <top>
>>for more pictures of Time Machine |
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Axis of Stillness/motion 2007
Installation shot from Interaction Research Rendezvous at the SFU Studios, 611 Alexander in Vancouver, British Columbia.
Projection onto a fabric yurt <top> |
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Video Tekke/Time Machine Study 2007
Concept drawing for Time Machine installation.
Ink on paper <top> |
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Nomadic Study 4 2007
Installation shot from Interaction Research Rendezvous at SFU Studios, 611 Alexander in Vancouver, British Columbia.
Found materials/photographs/drawings on paper and vellum/electronics <top> |
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Nomadic Study 3 2007
Installation shot from Interaction Research Rendezvous at SFU Studios, 611 Alexander in Vancouver, British Columbia.
Found materials/photographs/drawings on paper and vellum/electronics <top> |
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Nomadic Machine Study 1 2007
Installation shot from Mary Mattingly’s Forecast: An Environmental Disaster Opera at Whitebox Gallery in Manhattan, New York.
Found materials/drawings on paper and vellum/electronics <top> |
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Nomadic Machine Study 2 2007
Installation shot from Mary Mattingly’s Forecast: An Environmental Disaster Opera at Whitebox Gallery in Manhattan, New York.
Found materials/drawings on paper and vellum/electronics <top> |
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Utopia 2006
Resin/electronics/natural and artificial matter/paint <top> |
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Crystal Weapon 2006
Crystal gun from The Life Boat, an installation with Mary Mattingly during Art Basel in Miami, Florida.
Resin/electronics<top> |
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Crystals 2006
Crystals made for an installation with Mary Mattingly for We go Round and Round in the Night at the Philip Feldman Gallery at PNCA in Portland, Oregon.
Resin/steel/electronics<top> |
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Artist Survival Suit 2005
Men's suit altered for drawing at night, including a molded wrist light box. Performed in British Columbia and Nevada.
Found materials/resin/fabric/electronics <top> |
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Faceted Light 2003
A sewn silk light box constructed with lumbar from a recycled palette and torch cut steel from an old oil drum. One from a series of two. Exhibited at Golden Double Happiness an installation at the Capilano College Gallery in North Vancouver, British Columbia.
Steel/wood/silk/electronics<top> |
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If I was a robot, I would be a love robot 2002
A vintage egg beater powering LEDs and a cassette tape. One from a series of three tape players. Installation shot from Interaction Research Corporation at the Anna Leonowens Gallery in Halifax, Nova Scotia.
Found materials/plexis glass/nylon/electronics <top> |
